This article is a product of Haipin official website for everyone to introduce the origin, classification, and processing methods of Chinese wolfberry, evoking the evolution of classical furniture to modern furniture structure and the change in connection methods, as well as the connection methods and problems of custom wood. After comparing the connection methods of the European and American cabinet industries, a comparative analysis of the US Mutton Invisible Connectors was conducted from the perspective of the transference of the Ukrainian cabinets, and the innovative application of the whole wood customization industry in China was introduced.
The germanium structure originated in China. The earliest archaeological finds at present are from the Hemudu cultural site in Ningbo, which is 7,000 years old. At that time, the wooden structure used a dry-bar structure and used the most basic plutonium to connect the wooden components, which was the origin of various complex plutoniums.
Later, with the development of the level of Chinese wooden construction technology, the structure of thorium has also evolved more and more complex and sophisticated. The ancient buildings that are currently seen are basically wooden beams and columns, and the use of complex brackets and arches combined between beams and columns. The æ¦«å¯ structure has developed to its peak in China. It is also unique in the history of the world’s wood structure. In history, no one nation has developed such a complex architecture.
Yi Pinhai thinks that Chinese wolfberry is the essence of traditional Chinese furniture. It has appeared since the Hemudu period of 7,000 years ago. Until now, it has become a slogan, a close connection, and exquisite exquisiteness, reflecting the wisdom and civilization of the Chinese nation. The mechanical principles presented by the æ¦«å¯ structure perfectly illustrate the simplest cognition of Chinese craftsmen for scientific knowledge, and they have always been respected by the wooden man.
In the modern era, er in the traditional classical furniture and contemporary furniture still occupies a central position, will not change because of the improvement of the craft, the appearance of the new model, the change of the material. If we abandon the embarrassing structure and only pay attention to the changes in appearance, even if we have more Chinese elements, we will be neither fish nor fowl. It is also a patchwork that has no spiritual connotation. As is known to all, æ¦«å¯ embodies the magnificent philosophical thoughts of the Chinese nation. At the heart of the embarrassment is the separation of yin and yang and harmony, the most important being the unity of materials. Therefore, in contemporary furniture production and design, the smashing structure still occupies an irreplaceable position.
With the progress of the times, the upgrading of the technology and level of mechanization of the furniture of Yi Pinhai , the change of the social attributes of people's aesthetic values, and the emergence of a large number of instruments in the production process of contemporary Chinese furniture, these new types of instruments and the traditional imitation of classical Furniture together with each other, forming the mainstream characteristics of the current era. Different ages, different regions, different educational backgrounds, and the demand for furniture are also very different. This requires manufacturers to adopt different methods and different standards for the production of furniture.
Since the concrete structure is still the main method of the current furniture structure, how to use it in production has become the focus of many companies. There are several principles that need to be established here. First, according to the needs of the device type selection, in sofas, TV cabinets, book clubs and other emerging devices, we should grasp the use of transparent and semi-paralyzed, establish the principle of both solid and beautiful. Second, in the practical implementation of architectural furniture, the principle of traditional errands should still be the mainstay.
The above is the Suzhou Furniture City on the "a product of the sea with you to understand what traditional furniture in the innovative application?" ]'s detailed explanation, this article is collected by GO good home network () does not represent the point of view of this website, if you still want to know more about the furniture brand article, please continue to see [furniture sharing shopping guide platform] other articles, please pay attention GO good home site.
The germanium structure originated in China. The earliest archaeological finds at present are from the Hemudu cultural site in Ningbo, which is 7,000 years old. At that time, the wooden structure used a dry-bar structure and used the most basic plutonium to connect the wooden components, which was the origin of various complex plutoniums.
Later, with the development of the level of Chinese wooden construction technology, the structure of thorium has also evolved more and more complex and sophisticated. The ancient buildings that are currently seen are basically wooden beams and columns, and the use of complex brackets and arches combined between beams and columns. The æ¦«å¯ structure has developed to its peak in China. It is also unique in the history of the world’s wood structure. In history, no one nation has developed such a complex architecture.
In the modern era, er in the traditional classical furniture and contemporary furniture still occupies a central position, will not change because of the improvement of the craft, the appearance of the new model, the change of the material. If we abandon the embarrassing structure and only pay attention to the changes in appearance, even if we have more Chinese elements, we will be neither fish nor fowl. It is also a patchwork that has no spiritual connotation. As is known to all, æ¦«å¯ embodies the magnificent philosophical thoughts of the Chinese nation. At the heart of the embarrassment is the separation of yin and yang and harmony, the most important being the unity of materials. Therefore, in contemporary furniture production and design, the smashing structure still occupies an irreplaceable position.
With the progress of the times, the upgrading of the technology and level of mechanization of the furniture of Yi Pinhai , the change of the social attributes of people's aesthetic values, and the emergence of a large number of instruments in the production process of contemporary Chinese furniture, these new types of instruments and the traditional imitation of classical Furniture together with each other, forming the mainstream characteristics of the current era. Different ages, different regions, different educational backgrounds, and the demand for furniture are also very different. This requires manufacturers to adopt different methods and different standards for the production of furniture.
Since the concrete structure is still the main method of the current furniture structure, how to use it in production has become the focus of many companies. There are several principles that need to be established here. First, according to the needs of the device type selection, in sofas, TV cabinets, book clubs and other emerging devices, we should grasp the use of transparent and semi-paralyzed, establish the principle of both solid and beautiful. Second, in the practical implementation of architectural furniture, the principle of traditional errands should still be the mainstay.
The above is the Suzhou Furniture City on the "a product of the sea with you to understand what traditional furniture in the innovative application?" ]'s detailed explanation, this article is collected by GO good home network () does not represent the point of view of this website, if you still want to know more about the furniture brand article, please continue to see [furniture sharing shopping guide platform] other articles, please pay attention GO good home site.
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