Metaphysical way, and with the equipment, which is Ming-style furniture, but it is the center of the road, is the consensus of the people and the people. Ming-style furniture can be boarded on the hall. We can recognize the aesthetics of classical furniture. There must be two generations of literati in the Ming and Qing dynasties, and the aesthetic tastes of ancient Chinese literati. The Ming Dynasty is the handicrafts of Suzhou Dynasty Furniture and Redwood Furniture Factory.
By the late Ming Dynasty, Suzhou and other places with poor families, especially the small atmosphere. This is not only reflected in the clothing, the marriage customs at that time, and the furniture arrangement of the home really put forward new requirements, giving a situation that is not only precious, but also the best. Make high-quality hardwood a masterpiece.
During this period, Li Yutang’s literary poet's research in furniture design, style, style, and other aspects, especially the characteristics of the art's integration into specific instruments, enabled the literati’s thoughts, art, and aesthetics to be fully implemented together, together with the Ming-style furniture. Production achieved a high degree of excellence.
In the late Ming dynasty, the excellent Confucian culture in China kept them active in all corners of the world. They could not immerse themselves in the gates of the Forbidden City and swim in the mountains. This contradiction has quality characteristics and has become a basic feature of Chinese literati. .
This situation constitutes a harmonious aesthetic mood, and also makes the quality of the Ming and Qing Dynasties progress, the practice of innovative design, the best program in the Ming and Qing dynasty Ming style furniture to create the best empty and harmonious aesthetic realm is the nature of man and nature. In the intervening period, there was no precedent for the history of the coming furniture art. The height of art has become a world of appreciation and wonders.
The biggest artistic charm of Ming-style furniture is elegant simplicity and fluent circulation. But simplicity is the first and the deletion is rich. In order to see its energy, it reaches the highest level of aesthetics.
A simple ethereal, the highest aesthetic expression of Ming-style furniture, reflects the simple quality of empty furniture to promote the quality of goods, is the origin of art and cultural background, it bears the influence of literati painting, in the Ming and Qing Dynasties, the aesthetic purport Closely linked. The literary pursuit of the Ming literati, the contrast is focused on the soft, wet, dense focal line hook to the hook thickness, density, non-genuine, contrast, hook the pen in first aid, Xu, Shu, slow rhythm, in order to clean And the simple painting beauty, deep feelings in the heart, reflecting the literati's deep cultivation, love of art, coupled with the deep feelings of character, show its psychological characteristics of humanistic essence.
The pursuit of the simple ethereal art form of the Ming Dynasty scholars, through direct participation in the Ming Dynasty furniture design and production in the literary embodiment, the elegance of the Ming-style furniture, generous temperament, simple, without losing the function of the sophisticated full-form technology, will be used and The significance and superb skills and integration, the grasp of beauty, and the tendency to seek intellectuals' leisure interests are worth pondering.
Fourth, the association
Ming-style furniture is praised for its materials and world. This is because its special materials are in line with the ambition of the quality of the literary aesthetics and the state of art, reaching the gold of the jade.
It is a kind of Chinese traditional literati's aesthetic ideal that is a jade, gold, meaning, natural beauty and dullness. The intrinsic and external aesthetic appeal of this heavy, rustic beauty is similar to the beauty and beauty of Chinese traditional delicate beauty. In Ming-style furniture and Zisha teapots, the quality and quality of literary art reached their height. Their beauty is not only the beauty of content, but also the beauty of beauty. Whether purple sandalwood, pear, still quiet hardwood eucalyptus wood material consolidation, simple, colorful, color transmission, rich patterns, Yutian jade elegant. This fully shows that the exquisite material of Ming furniture is exquisite, and it is a natural carving creation.
In addition to American materials, it is the beauty of wax of Ming furniture. In Ming-style furniture wax wax hot wax is a mildly moist, non-obtrusive appearance shell, from an aesthetic point of view, it is not clear, fuzzy, and together with the pale.
The creation of Ming-style furniture is the hidden address of the literati city. The hidden and crazy Tibetan love is the touch, the organic humor, the Zhuang rationality, the harmonious humor of the poetic life, and it is the real connotation of the city's hidden.
The elegance and fluidity of Ming-style furniture reflects the isolated phenomenon of uncivilization in the middle and late Ming Dynasty, but the concrete embodiment of ecological civilization construction. In the arts of humanities and art, the art of living, the appropriate gold to create exquisite, elegant style of literati. They can also build worlds in poetry, game life, in order to find a good balance in the art of living in this world.
In this cultural context, Ming-style furniture, as a carrier, enters the literary world and describes the heart of their thoughts and emotional life. The scholars of Ming-style furniture design and manufacture not only put forward many common views in terms of aesthetic common concepts, materials, scales, shapes, etc., but also meet the actual needs of their poetry, books, music, and paintings in leisure and entertainment. During the design process, scholars combined their own poetry, calligraphy and painting skills with furniture and furniture in poetry, painting, and seals to make them more artistic and culturally connotative.
The key role of the two generations of Jiangnan literati in the leisurely Ming and Qing furniture highly aesthetic game mood. Furniture research, a few antique desks, ink, but can be bulging, graffiti, and the rural economy, the poor are left alone for the literate poet's ambition to extend this limited space freely. Mo Lian Kong, the air loft is limited; seeking happiness, no debauchery
In the Yashe format, ancient literati showed that even the details were exhausted. In addition to the ancient characters and pictures, in fact, many classic homes can be seen from the Suzhou Garden. For example, in the Lingering Garden outside the Shilin Garden, this is a wind song, a few boxing stones, a few flowers, a quiet west window, Feng Shi Xun Kai, micro-curved windows and family. Under the west window, there is a bag of Yao Qin on the piano. In the northern wall, the screen size of the Chinese flower screen, the interests of the two enantiomers.
The so-called old cottage read the quiet morning of the evening, the first holy place for the birds, the balcony windows to see the stars, can penetrate the haze of matter, away from the earthly fanaticism, in the rough and desolated thoughts and hearts, lonely and enjoy happiness . In this quiet and beautiful space, they find their pride and their own qualities.
By the late Ming Dynasty, Suzhou and other places with poor families, especially the small atmosphere. This is not only reflected in the clothing, the marriage customs at that time, and the furniture arrangement of the home really put forward new requirements, giving a situation that is not only precious, but also the best. Make high-quality hardwood a masterpiece.
During this period, Li Yutang’s literary poet's research in furniture design, style, style, and other aspects, especially the characteristics of the art's integration into specific instruments, enabled the literati’s thoughts, art, and aesthetics to be fully implemented together, together with the Ming-style furniture. Production achieved a high degree of excellence.
In the late Ming dynasty, the excellent Confucian culture in China kept them active in all corners of the world. They could not immerse themselves in the gates of the Forbidden City and swim in the mountains. This contradiction has quality characteristics and has become a basic feature of Chinese literati. .
The biggest artistic charm of Ming-style furniture is elegant simplicity and fluent circulation. But simplicity is the first and the deletion is rich. In order to see its energy, it reaches the highest level of aesthetics.
A simple ethereal, the highest aesthetic expression of Ming-style furniture, reflects the simple quality of empty furniture to promote the quality of goods, is the origin of art and cultural background, it bears the influence of literati painting, in the Ming and Qing Dynasties, the aesthetic purport Closely linked. The literary pursuit of the Ming literati, the contrast is focused on the soft, wet, dense focal line hook to the hook thickness, density, non-genuine, contrast, hook the pen in first aid, Xu, Shu, slow rhythm, in order to clean And the simple painting beauty, deep feelings in the heart, reflecting the literati's deep cultivation, love of art, coupled with the deep feelings of character, show its psychological characteristics of humanistic essence.
The pursuit of the simple ethereal art form of the Ming Dynasty scholars, through direct participation in the Ming Dynasty furniture design and production in the literary embodiment, the elegance of the Ming-style furniture, generous temperament, simple, without losing the function of the sophisticated full-form technology, will be used and The significance and superb skills and integration, the grasp of beauty, and the tendency to seek intellectuals' leisure interests are worth pondering.
Fourth, the association
Ming-style furniture is praised for its materials and world. This is because its special materials are in line with the ambition of the quality of the literary aesthetics and the state of art, reaching the gold of the jade.
It is a kind of Chinese traditional literati's aesthetic ideal that is a jade, gold, meaning, natural beauty and dullness. The intrinsic and external aesthetic appeal of this heavy, rustic beauty is similar to the beauty and beauty of Chinese traditional delicate beauty. In Ming-style furniture and Zisha teapots, the quality and quality of literary art reached their height. Their beauty is not only the beauty of content, but also the beauty of beauty. Whether purple sandalwood, pear, still quiet hardwood eucalyptus wood material consolidation, simple, colorful, color transmission, rich patterns, Yutian jade elegant. This fully shows that the exquisite material of Ming furniture is exquisite, and it is a natural carving creation.
In addition to American materials, it is the beauty of wax of Ming furniture. In Ming-style furniture wax wax hot wax is a mildly moist, non-obtrusive appearance shell, from an aesthetic point of view, it is not clear, fuzzy, and together with the pale.
The creation of Ming-style furniture is the hidden address of the literati city. The hidden and crazy Tibetan love is the touch, the organic humor, the Zhuang rationality, the harmonious humor of the poetic life, and it is the real connotation of the city's hidden.
The elegance and fluidity of Ming-style furniture reflects the isolated phenomenon of uncivilization in the middle and late Ming Dynasty, but the concrete embodiment of ecological civilization construction. In the arts of humanities and art, the art of living, the appropriate gold to create exquisite, elegant style of literati. They can also build worlds in poetry, game life, in order to find a good balance in the art of living in this world.
In this cultural context, Ming-style furniture, as a carrier, enters the literary world and describes the heart of their thoughts and emotional life. The scholars of Ming-style furniture design and manufacture not only put forward many common views in terms of aesthetic common concepts, materials, scales, shapes, etc., but also meet the actual needs of their poetry, books, music, and paintings in leisure and entertainment. During the design process, scholars combined their own poetry, calligraphy and painting skills with furniture and furniture in poetry, painting, and seals to make them more artistic and culturally connotative.
The key role of the two generations of Jiangnan literati in the leisurely Ming and Qing furniture highly aesthetic game mood. Furniture research, a few antique desks, ink, but can be bulging, graffiti, and the rural economy, the poor are left alone for the literate poet's ambition to extend this limited space freely. Mo Lian Kong, the air loft is limited; seeking happiness, no debauchery
In the Yashe format, ancient literati showed that even the details were exhausted. In addition to the ancient characters and pictures, in fact, many classic homes can be seen from the Suzhou Garden. For example, in the Lingering Garden outside the Shilin Garden, this is a wind song, a few boxing stones, a few flowers, a quiet west window, Feng Shi Xun Kai, micro-curved windows and family. Under the west window, there is a bag of Yao Qin on the piano. In the northern wall, the screen size of the Chinese flower screen, the interests of the two enantiomers.
The so-called old cottage read the quiet morning of the evening, the first holy place for the birds, the balcony windows to see the stars, can penetrate the haze of matter, away from the earthly fanaticism, in the rough and desolated thoughts and hearts, lonely and enjoy happiness . In this quiet and beautiful space, they find their pride and their own qualities.
Ground Screw driver,for installing ground screw, mainly applied for mounting garden fences,traffic guidancs,advertising boards,carports,flagpoles,wooden houses,Constructional Industry and etc. Electric tool max. power consumption is 1800W-5000W and workers can install more effective and saving time. Manual tool also widely used because of easy installation.
Driven piling is well known for the following advantages for construction issues –
Relatively small and lightweight equipment is required
Relatively small cross-section and high strength helps penetration in firm soil
Require minimal site preparation
Spoil free means minimal cost for disposal of site debris
Cost-effectiveness where many piles are required
High productivity compared to traditional concrete raft foundations
Suitability for a variety of ground conditions.
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any applications is handled with precision and speed. Honde have developed two type of machinery with the strategic partner for ground screw installation,
the electric pile driver and Manual Pile Driver.
Electric Pile Driver,Screw Pile Driver,Hydraulic Pile Driver
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